Nike Schröder, Art and Cake, February 16, 2017

Review by Shana Nys Dambrot
Counting the Days, in collaboration with Show+Tell Projects

With Liberty and Justice for Some, Visual Art Source, February 2017

Review by Simone Kussatz

Art on Paper, New York 2018

March 8-11, 2018
Booth 301 (preview booth)

Words and Pictures: In "Salon des Refusés" mixed media artist Lezley Saar explores gender and identity through surrealism and symbolism, LA Times, November 6, 2017

Interview by Sonaiya Kelley

ONE WORK: Lezley Saar, "Miss Pearly, The Transcontinental Mind Reader," 2017, Art and Cake, November 6, 2017

Review by Betty Ann Brown

With Liberty and Justice for Some, San Francisco Chronicle, March 29, 2017

Review by Sam Whiting

With Liberty and Justice for Some, The Woven Press Tale, January 30, 2017

Review by Sandra Tyler

With Liberty and Justice for Some, Art and Cake, February 3, 2017

Review by Genie Davis

With Liberty and Justice for Some, KQED, Arts, February 8, 2017

Review by Sarah Hotchkiss, Video by Kelly Whalen

Rejected People Find a Home in the Otherworldly, Highly Personal Paintings of Lezley Saar, LA Weekly, November 17, 2017

Review by Leah Rosenzweig

Timothy Paul Myers in collaboration with Andrew Barnes, Los Angeles Times, August 3, 2016

Review by Leah Ollman

Tm Gratkowski, Art and Cake, October 18, 2016

Review by Genie Davis

Tm Gratkowski, Art Ltd., November/December, 2016

Review by Jody Zellen

With Liberty and Justice for Some, Huffington Post, January 20, 2017

Review by Amy Pleasant

What to do this weekend in L.A. Critics Pick: Nov 17-23, 2017, LA Times, November 17, 2017

Mention by LA Times Staff Writer

'Understory' is two artists' ode to the American basement, and every surface is covered in felt, LA Times, November 21, 2017

Review by Leah Ollman

What's in a shape? For Andy Kolar, there's so much at play, LA Times, August 12, 2017

Review by Sharon Mizota

Andy Kolar, Artillery Magazine, August 9, 2017

Review by Shana Nys Dambrot

Lezley Saar, Los Angeles Times, May 27, 2017

Review by Sharon Mizota

A Gallery of Refused at CAAM, LA Times, October 27, 2017

Review by Carolina A. Miranda

Nike Schröder, Timothy Paul Myers and Andrew Barnes at Walter Maciel Gallery, Art and Cake, December 4, 2017

Review by Genie Davis

Studio Visit: Tm Gratkowski, The Word-Space, Time, Memory, Art and Cake, December 1, 2017

Review by Gary Brewer

Robb Putnam, Los Angeles Times, January 5, 2018

Preview by Carolina Miranda

Dana Weiser, Art Radar, 21 February 2016

Review by Christina Ayson

Lezley Saar, Hyperallergic, July 1, 2017

Review by Lita Barrie

Lezley Saar, Critic's Pick, ARTFORUM, January 2018

Review by Andy Campbell

Lezley Saar, BLOUIN ARTINFO, January 12, 2018


Lezley Saar, Visual Art Source, January 2018

Review by David S. Rubin

New York Times, January 20, 2017

Review by Jori Finkel

Dana Weiser and Greg Mocilnikar, ArtScene, February 2016

Overview by staff writer

A Star Is Born: Ten Years Later, LA Art Party

Pick of the Week by Kathy Leonardo

Cynthia Ona Innis, 2014 Substianable Arts Foundation Grant

Artist Grant

Hung Liu, Transformation, through February 18, 2018

Loveland Museum and Gallery, Loveland, CO

Hung Liu, In Print, through July 8, 2018 (solo)

National Museum of Women in the Arts, Washington DC

Tm Gratkowski, Diversity and Inclusion: The Influence of African American Art in Southern California, through February 25, 2018

Ontario Museum of History and Art, Ontario, CA

Lezley Saar, It Takes a Village, through April 22, 2018

Lancaster Museum of Art and History, Lancaster, CA

John Bankston, 30 Americans, Works from the Rubell Family Collection through May 6, 2018

McNay Art Museum, San Antonio, TX

Robb Putnam, New Threads: Perspectives in Contemporary Fiber Art through March 17, 2018

Laband Art Gallery, Loyola Marymount University, Los Angeles, CA

Hung Liu, 2016 Distinguished Women Artist Award

Fresno Art Museum

Dean Monogenis and Pepa Prieto, Visual Art Source, April 2017

Recommended by Gene Davis

John Bankston, Orange County Museum of Art

Recent aquisition

Cynthia Ona Innis, San Francisco Arts Commision

Included in the Two Dimensional Artwork Registry

Lisa Solomon, Museum Acquisition and Residency

Ulrich Museum, Wichita State University, Kansas

Barry Anderson and Timothy Paul Myers in collaboration with Andrew Barnes, Artillery Magazine, September/October 2016

Review by Jody Zellen

John Jurayj and Brendan Lott, Pollock-Kasner Foundation Inc.

Artist grant


Hung Liu, San Francisco International Airport

Public commision, 2008


Hung Liu, Oakland International Airport

Public commision, 2006

Freddy Chandra, Santa Clara Valley Medical Center in San Jose, CA

Corporate commision, 2014

Lezley Saar, Hyperallergic, May 10, 2017

Review by Matt Stromberg

Robb Putnam, Museum Acquisition

Palm Springs Art Museum

Freddy Chandra, Neiman Marcus

Public commision, 2012

Freddy Chandra, US Embassy in Surabaya, Indonesia

Art in Embassy Collection, 2011

Dean Monogenis, Randall's Island Park, NY

Public commision, 2014

Cynthia Ona Innis, Alameda County,CA

Public library in Lafayette,CA 2010

Cynthia Ona Innis, US Embassy in Riga, Latvia

Art in Embassy Collection, 2010

Dean Monogenis, Artillery Magazine, April 5, 2017

Review by Jody Zellen

Lezley Saar, Art and Cake, June 2, 2017

Review by Jody Zellen

Lezley Saar, Salon des Refusés, through February 18, 2018 (solo)

California African American Museum, Los Angeles, CA

The Vivid Color Explorations of Lisa Solomon,, February 3, 2018

Interview by

Studio Visit with Dana Weiser, The Accidental Tourist, Art and Cake, January 25, 2018

Review by Gary Brewer